By Michelle Melton Cox · March 11, 2019
Filter words and phrases put distance between the reader and the scene you’re writing. They create a situation where the reader’s experience is “filtered” through the character’s point of view. You don’t want that. You want the reader inside the scene as much as possible, so eliminate filter words whenever you can.
Filtering alienates readers from the experience. A few quick comparisons:
Assume, believe, can/could, decide, experience, feel/felt, hear/heard, know/knew, look/looked, note/noted, notice/noticed, realize/realized, remember/remembered, see/saw, seem/seemed, think/thought, touch/touched, to be able to, watch/watched.
The easiest way is to become aware of which ones you rely on most, then practice cutting them in draft two and beyond. Notice I said draft two. Editing out filter words is for the polishing phase. It’s fine to lean on them in a first draft, when you don’t want to get bogged down. But the more aware of them you become, the less they’ll show up, even in that messy first draft.
When you reach the polishing stage, here’s a way to use find-and-replace to highlight them:
For more on tightening your prose, see Thirty-Seven Words or Phrases You Should Eliminate from Your Writing.
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